character development – Betsy Schow

Everything I need to know as a writer, I learned from Buffy

My husband and I have been indulging recently in last year’s Christmas present… the full series of Buffy the Vampire Slayer on DVD. I’m sure I don’t have to tell you this, but the show is brilliant. Joss Whedon is a freakin’ genius. It is my fervent belief that if every writer watched Buffy, the quality of books would vastly increase. Here’s what I learned.:

1. Witty irreverent dialogue makes characters interesting. Even the unlikable ones.
Principal Snyder is not a character you should like. He constantly causes problems for our heroine. It would be easy to cast this character as a throw away. Just a boring voice of authority. Instead, Whedon has given him some of the best lines, making him worth watching instead of a snoozefest.
Principal Snyder: That’s the kind of wooly-headed liberal thinking that leads to being eaten.

2. Sidekicks are almost as valuable as the protagonist.

Where would the Scooby Gang be without Willow, Giles and Zander? These characters are all essential parts of story. They add meaningful support as well as comic relief. Often sidekicks are relegated to very surface personalities. It’s easy to fall into the stereotype trap. The fat best friend, the nerd, the snotty cheerleader.. you name it and it’s been done. They don’t grow. So take it farther, make the audience care and give your sidekicks depth. Think of the growth Willow had throughout the series.

3. Angel was the original Edward from Twilight

And Joss Whedon did it so much better. Edward comes off as too good to be true. He has no flaws. It’s obnoxious. And unrealistic. Angel is awesome because he has issues. He’s not perfect, we don’t always like him; but in the end, we all root for him anyway. Have you ever had a relationship that was all sunshine and roses? Where the only problems between the two of you could be worked out through a little DTR (define the relationship). Didn’t think so. Buys make you cry. Love makes you cry.And sometimes… true love doesn’t conquer all.

4. Sometimes life sucks.

Throughout the series, Buffy goes through hell. How often do we read books where the main character is never in any real peril. Nothing bad really happens to them. Buffy got the crap beat out of her on a weekly basis. She doesn’t often get what she wants, but she does what is needed. Don’t be afraid to hurt your hero. If there is no true peril, the story isn’t interesting. And if it’s obvious that the hero will come out all peachy keen… why would we keep turning the page?

There are so many more lessons, but I think I’ll leave it on just one final thought. Fun. In every Joss Whedon project I have ever seen, it is clear that he has fun. Look at Buffy, Firefly, Avengers… they do well and have cult followings because he has fun with his writing. When the writer has fun, the audience can’t help but join in.

So until next week, live by my personal author tagline — Having fun on the page

Tut, Tut, looks like rain

One of the writer’s in my critique group posed a question the other day. She was having trouble with character dialogue.All of her characters sound the same. She said, If it’s going to rain, wouldn’t the character just say that. “It’s going to rain. Or it’s raining”. No matter who they were.

The answer of course is…bzzzz… wrong. If every character had the same way of phrasing something, there would be no character at all. Here are a few examples.

“Tut, Tut, looks like rain”- Winnie-the -Pooh

“The nicest thing about rain is that it always stops. Eventually.” – Eeyore

“There’s a storm blowin’ up – a whopper, to speak in the vernacular of the peasantry” Professor Marvel, Wizard of OZ

“My breasts can always tell when its going to rain” Karen on Mean Girls

You get my drift. Characters are interesting and memorable because they have interesting and memorable things to say. A person is 3 dimensional, with a past and personality that colors their word choice.

Here’s an exercise. Your character needs to say they’re hungry.

Pooh would say “I’ve got a rumbly in my tumbly.”

How would a colonist from space say it?

A Farmer?

An 11 yr old?

Have fun and be creative!!

Know thy characters

So I just finished the novel I’ve been cowriting with Caleb Warnock. He invited me on board his project for two reasons.
One: He’s insanely busy being a bestselling author an all.
Two: He was having major trouble with his main character- a female.

As I delved into the meat of his manuscript, the problem became clear. He didn’t know his main character. The voices of every other POV character and side character rang true. But for some reason, Hallie’s voice was stilted and awkward. I believe my exact words were that she sounded like an 80 year old tea maven. So my job was to rewrite her point of view so she could be heard.

It took some work, but I did it by following one of my ten writing commandments: Know thy character.

It’s the same process I use in any story I write. Before I go spinning yarns into chapters, I sit down and have a chat with each character. Even though the little details will likely never make it into the book, I want to know this character’s whole life story. I want to know their first memory. If clowns scare them. If they have any odd or quirky habits. Who beat them up in high school. Or maybe they were the one doing the bullying.

This serves a two-fold purpose. Characters are memorable when they are interesting and have depth and feelings. And secondly, if I know my character, it is easier to correctly portray their thoughts and reactions. The rest of the story often writes itself because I can see what they will do, just like a movie in my head.

So now that I am done with Hallie’s story, I am off to start a new one. My new main character is Bertha Jenkins. She’s adopted, sat on a bully in third grade, her house has a roof the dips down in the middle, and she may or may not have gotten married on elephant-back in India. (she’s still working out the legalities) She enjoys religion hopping and is currently working her way through Taoism.

I’m sure there’s more, and Bertha will have to tell me all about it.